We the undersigned are shocked to see that the Abbott Government plans to target the creative sector once again in its 2015–16 Budget by massively defunding the Australia Council for the Arts, the national peer-reviewed funding body, and severely reducing the budgets of other cultural organisations.
Federal Arts Minister George Brandis has announced that he plans to remove $104.8 million from the Australia Council’s budget over the next four years and redirect it to a newly created fund, the ‘National Centre for Excellence in the Arts’. Grants from this new fund will seemingly be decided at the discretion of the Arts Minister of the day.
It is deeply disturbing for any Minister to attempt to directly control the kinds of culture produced in a democracy that values freedom of expression. The Minister himself has previously argued that art will always provoke debate, ‘that’s why we have an arms-length and peer-reviewed structure for the allocation for the funding’. What he now proposes is precisely the opposite.
In addition to the reallocation of crucial Australia Council funds, the Abbott Government is proposing to cut an additional $3.7 million from the underfunded Screen Australia, and almost $4 million from various national galleries and museums. The Budget will also take $5.2 million from the Australia Council for Creative Partnerships Australia, and $7.3 million in ‘efficiency dividends’. Such ‘savings’ will be met through reduced funding to ArtStart, Capacity Building and Artists-in-Residence programs: three core programs that directly contribute to the development of future arts leaders and provide crucial opportunities for arts practitioners to gain real industry skills: an investment in the ongoing vibrancy and vitality of the arts sector, helping to shape arts leaders such as Fiona Menzies (Creative Partnerships Australia), Sandra Willis (Opera Australia), Beverley Growden (Canberra Glassworks) and Loiu Oppenhiem (Circus Oz). For small-to-medium organisations and independent artists, whose work is absolutely critical to building diversity and encouraging innovation in the sector, this loss of financial support and investment will be devastating.
Australia does not need a second national arts funding organisation: the Australia Council’s mission is to ‘invest in artistic excellence’ and make art ‘accessible to all Australians’. Indeed, the Council already cultivates a national approach to arts participation, for both audiences and creators. Over its 42-year history, the Australia Council has helped to build and support the careers of artists as diverse as Richard Bell, Fiona Hall, Sonya Hartnett, Alex Miller, Les Murray, Margaret Olley, Archie Roach and Judy Watson. The Council funds a broad range of cultural projects across the country, fostering companies such as the Australian Ballet, Back to Back Theatre, Bangarra Dance Theatre, the Ironwood Chamber Ensemble, Kulcha Multicultural Arts, La Boite Theatre Company and Wodonga’s Hothouse Theatre, as well as programs such as the Creative Indigenous Leaders program, site-specific international development of major operas, regional tours and publications such as Griffith Review.
Independence is essential to diversity in Australian arts. Indeed, the reason Australian arts are as healthy as they are today is because of our ability to create freely, without intervention by any political party.
Minister Brandis seems to be under the impression that Australian culture is monolithic – that there is only one way to be a proper Australian artist. The vibrancy and diversity of Australian arts indicate that nothing could be further from the truth. The many small arts organisations across the country – galleries, libraries, theatre groups, performers and publications that are most at risk from funding cuts – are the primary cultivators of Australian culture, fostering the early work of those artists we now celebrate, such as Christos Tsiolkas and Margaret Olley. But small arts organisations are also a merit in and of themselves. They allow millions of diverse individuals to imagine, collaborate and participate in culture-making. Democracy is founded upon reflection, civic participation, and hope. Art provides space for all of this and more.
This Budget is an enormous blow to the arts community in Australia. It will impoverish Australian culture and society. It will mean loss of livelihood for many arts workers. It will mean many important artworks – works that would inform national debate, expanding the possibilities of this country and its citizens – will simply never be made. In 2011, the arts sector directly employed 531,000 people, and indirectly created another 3.7 million jobs. In 2008–9, the arts contributed $86 billion (7%) to the Australian GDP. Artists are workers and taxpayers, and a vital part of the economy. They are also consumers and lovers of art and culture. They should not be penalised for contributing so passionately to Australia’s cultural ecosystem.
We call on the Federal Government and Minister for the Arts George Brandis to reverse all proposed cuts to the arts sector.
We ask that you oppose defunding the art sector, particularly smaller organisations and practitioners – that is, a whole generation of artists, writers, publishers, editors, theatre makers, actors, dancers and thinkers across Australia. We ask that you help us to continue building a world where culture and art is possible for everyone.
Jacinda Woodhead, Overland magazine
David Ryding
Van Badham, writer
Lisa Dempster, Festival Director/CEO, Melbourne Writers Festival
Thomas Keneally, author
Alexis Wright, writer
Prof Dennis Altman AM
Christos Tsiolkas, writer
Kim Scott, writer
Robert Manne
Joanna Murray-Smith, playwright
Alex Miller, writer
Frank Moorhouse, author
Anna Funder, writer
JM Coetzee, writer
Kate Larsen, Writers Victoria
Emily Sexton
Sam Cooney, publisher and editor, The Lifted Brow
Richard Watts, writer and broadcaster
Michael Webster Adjunct Professor, RMIT University School of Media & Communication, Chair, Melbourne Writers Festival and Small Press Network
Rodney Hall, writer, former chairman of the Australia Council
Marion Halligan AM, writer; former chair of the Literature Board
David Blumenstein
Alison Croggon, writer
Daniel Keene, playwright
Kate Eltham, writer
Sam Twyford Moore, writer
Stuart Glover, Senior Lecturer in Writing, UQ, and founding Chair, Queensland Literary Awards
Nick Feik, The Monthly
Shaun Tan, artist, writer, filmmaker
Jeff Sparrow, writer and broadcaster, honorary fellow, Vic Uni
Sophie Cunningham, writer
Michell de Kretser, writer
Jason Steger
Tony Birch, writer
R D Wood, poet
Alex Skutenko, Overland
Hannah Kent, writer
Rebecca Starford, Text Publishing and Kill Your Darlings
André Dao, writer
Alice Grundy, Seizure
Margo Lanagan, writer
Benjamin Law, writer
Ramona Koval, writer
David Williamson, playwright
Aviva Tuffield, publisher and co-founder of the Stella Prize
Julian Burnside AO QC, chair, Fortyfive Downstairs; chair, Chamber Music Australia
Mary Lou Jelbart, artistic director, fortyfivedownstairs
Nathan Hollier, director of Monash University Publishing; chair of the OL Society Ltd, publishers ofOverland
William Yang, artist
James Tierney, critic
Susan Hornbeck, Associate Publisher, Griffith Review
Kent MacCarter, Cordite Press Inc.
Jennifer Mills, author
Justin Clemens, writer
John van Tiggelen, writer
Andrea Goldsmith, writer
Malcolm Knox, writer and journalist
Robert Skinner, Canary Press
David Carlin, writer
Roselina Press, Right Now magazine
Geordie Williamson, fiction editor, Island magazine
Kirsten Tranter, writer
Linda Jaivin, writer
Kate Callingham, Emerging Writers’ Festival
Jessica Wilkinson, RMIT University; Rabbit
Stephanie Convery, Overland
Jill Jones, poet, Senior Lecturer, Department of English and Creative Writing, University of Adelaide
Maria Tumarkin, writer and historian
Bec Zajac, Overland
Anwen Crawford, writer
Geoff Lemon, Going Down Swinging
Erica Sontheimer, editor
Catherine Mcinnis, writer and editor
Marcus Westbury, writer, broadcaster and founder of Renew Australia
Pippa Bainbridge, Express Media
David Stavanger, poet and Co-Director Queensland Poetry Festival
Anne-Marie Te Whiu, Co-Director Queensland Poetry Festival
Clare Wright, historian, author, screenwriter
Fiona Capp, writer
Steven Carroll, writer
Louise Swinn, publisher, Sleepers
Di Morrissey, author
Matthew Lamb, Editor, Island and Review of Australian Fiction
Chad Parkhill, writer
Tom Cho, writer
Professor John Kinsella
Mel Campbell, writer and critic
Luke Davies, writer
Hilary McPhee, writer, editor and publisher
Maria Takolander, writer and academic
Foong Ling Kong, managing editor, Anne Summers Reports; editor
Clare Renner, writer and editor, RMIT University
Brynn O'Brien, lawyer
Clare Strahan, writer and editor
Francesca Rendle-Short, writer and associate professor, co-director, nonfictionLab, RMIT University
Catherine Noske, editor, Westerly magazine
Chris Graham, New Matilda
Georgia Blain, author
Sandra Thibodeaux, poet
Donna Abela, playwright
Lally Katz, writer
Paddy O’Reilly, writer
Noëlle Janaczewska, writer
Hilary Bell, playwright
Hannah Fink, writer and editor
Martine Murray, writer
Kate Howarth, writer
Lachlan Philpott playwright
Jane Gleeson White, writer and editor
Aaron Orzech, theatre-maker
Chris Womersley, writer
Rachel Roberts, Applespiel
Nakkiah Lui, writer and actor
Angela Meyer, writer
Declan Greene, theatremaker
Rjurik Davidson, writer
Katherine Lyall-Watson, playwright and editor
Emma Maye Gibson (aka Betty Grumble)
Cameron Ellis
Julia Tsailis
Nicholas Higgins
Simon Clarke
Alex Desebrock
Libby Klysz
Terri-Ann White
Lefa Singleton-Norton
Simon Mitchell, author
Melissa Keil, writer
Marieke Hardy, writer
Anna Krien, writer
Paul Katsieris, architect
Patricia Cornelius, playwright
Cate Kennedy, writer
Ned Manning, writer, actor
Trudy White, artist and writer
Angela Conquet, Dancehouse
Zoe Dattner, publisher
7-ON Playwrights
Sian Prior, writer and broadcaster
Dr Dominic Redfern, School of Art, RMIT University
Omar Musa, writer and musician
Chris Connelly, actor
Nick Place, writer
Nina Bonacci, producer
Eugenia Fragos, actor
Suzie Miller, playwright
Hannie Rayson, playwright
Harry Nankin, photomedia artist
Tommy Murphy, playwright and screenwriter
Zoe Atkinson, theatre designer
Melissa Fagan, writer
Anna Taylor, artist
Dee Read
Sarah Tomasetti, artist
Maxine Beneba Clarke, writer
Adena Jacobs, theatre director
Samantha Bews, playwright
Di Websdale-Morrissey, writer
Katie Sfetkidis, lighting designer
Suzy Zail, writer
Campbell Bews
Gretchen Miller, writer and radio broadcaster
Nick Meredith, guitarist
Tiffany Raae, producer and director
Catherine Ryan, writer
Alice Pung, writer
Liz Jones AO, La Mama
Sam Cheshire, teacher
Simmone Howell, writer
Simon Wilmot, filmmaker and head of Film and Television, Deakin University
Chantal Jackson, poet, artist
Judy Watson, artist
Ros Abercrombie, festival director
Martin King, artist
Stephanie Holt, Professional Writing and Editing, RMIT
Elizabeth Day, visual artist, Creative Collaborations
Libby Angel, writer
Judith Denby, artist
Fiona Dorrell, NT Writers’ Centre
Paul O’Connor, veteranrian
Malcolm McKinnon, artist and filmmaker
Catherine Clover, artist
Noreen Grahame, director grahame galleries + editions
Melanie Lazarow, artist
Tim Bass, artist
Geoff Kleem, artist
Lindy Allen, producer; former CEO of Regional Victoria and Regional Arts Australia